|
|
|
Kazimir Malevich Self-Portrait mk52
1908
Gouachon on paper
27x26.8cm
Tret yakov Gallery,Moscow
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Boy with Knapsack-Color Mases in the Fourth Dimensin mk68
Oil on canvas
New York
Museum of Modern Art
1915
Russia
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Suprematist Composition mk87
c.1914-1916
Oil on canvas
71x44.4cm
New York,
The Museum of Modern Art
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Knife-Grinder mk87
1912
Oil on canvas
79.5x79.5cm
New Haven,Yale University Art Gallery
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Flower Girl, Flower Girl, 1903
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Landscape with a Yellow House Landscape with a Yellow House, 1906
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Bathers, Bathers, 1908
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Winter, Winter, 1909
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Head of a Peasant Girl Head of a Peasant Girl, 1912-1913
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Bureau and Room Bureau and Room, 1913
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Cow and Fiddle Cow and Fiddle, 1913
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Englishman in Moscow, Englishman in Moscow, 1914
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Black Circle, signed 1913 Black Circle, signed 1913, painted 1915
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Suprematism Suprematism (Self-Portrait), 1916
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Suprematism, Museum of Art, Krasnodar Suprematism, Museum of Art, Krasnodar 1916
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Suprematist Composition White on White, Suprematist Composition: White on White, 1917
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Suprematism Suprematism, 1921-1927
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Boy Boy, 1928-1932
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Red cavalry Red-cavalry, 1928-1932
|
|
|
|
|
|
|
|
|
|
Kazimir Malevich Summer Landscape, Summer Landscape, 1929
|
|
|
|
|
|
|
|
| |
|
|
Kazimir Malevich
|
1878-1935
Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments
|